![]() ![]() Having split them in two, we can see that each of the Archetypal Characters has an attitude or Decision characteristic and an approach or Action characteristic. The traditional Protagonist is the driver of the story: the one who forces the action.ĭecision Characteristic: Urges the other characters to consider the necessity of achieving the goal.Īction Characteristic: The Antagonist physically tries to prevent or avoid the successful achievement of the goal by the Protagonist.ĭecision Characteristic: The Antagonist urges the other characters to reconsider the attempt to achieve the goal.Īction Characteristic: The Guardian is a helper who aids the efforts to achieve the story goal.ĭecision Characteristic: It represents conscience in the mind, based upon the Author’s view of morality.Īction Characteristic: The Contagonist hinders the efforts to achieve the story goal.ĭecision Characteristic: It represents temptation to take the wrong course or approach.Īction Characteristic: This character is very calm or controlled in its actions.ĭecision Characteristic: It makes its decisions on the basis of logic, never letting emotion get in the way of a rational course.Īction Characteristic: The Emotional character is frenzied or uncontrolled in its actions.ĭecision Characteristic: It responds with its feelings with disregard for practicality.Īction Characteristic: The Sidekick supports, playing a kind of cheering section.ĭecision Characteristic: It is almost gullible in the extent of its faith - in the goal, in the Protagonist, in success, etc.Īction Characteristic: The Skeptic opposes - everything.ĭecision Characteristic: It disbelieves everything, doubting courses of action, sincerity, truth - whatever. Scout is the Main Character because we see this story about prejudice through her eyes – a child’s eyes.Įach of the Eight Archetypal Characters contains one characteristic pertaining to actions and another characteristic pertaining to decisions.Īction Characteristic: Pursues the goal. ![]() This story is about Atticus, an open-minded lawyer in a small Southern town in the 1930s and his young daughter, Scout, who is trying to understand what is going on around her.Ītticus is the Protagonist as he tries to defend a black man wrongly accused of raping a white girl. Such arrangements seem far less stereotypical and far more personal.Ī Good example of this can be found in both the book and movie version of the classic story, To Kill A Mockingbird. ![]() When we assign the attribute of Protagonist to one of the characters in our story but the role of Main Character to another, we open up a wealth of variations that better reflect the audience’s real life experiences. Rather, we are usually supporting characters in the larger Goal, such as in a business, club, or church group, only occasionally being the driving force, leader, or initiator who others follow. In real life we are always the Main Character in our personal story, but we are not always the Prime Mover out of every one we know. So, always writing about heroic characters who are both Main Character and Protagonist is a lot like telling a story about football from only the Quarterback’s point of view and never from that of any of the other players. In the Story Mind, the Main Character represents our sense of self, the ego or identity of the story as a whole. As described in an earlier writing tip, the Main Character represents the audience position in the story, and is the character with whom the audience most empathizes, the one whom the story seems to be about. Of all four attributes of the hero, his role as the Main Character is perhaps the most intriguing.
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